Blog - Sharebacks
Notch Theatre Company (New York, NY) and Delta Cultural Center (Helena, AR) partnered on the first residency for Remember2019, an ensemble project created to reflect on and respond to the history of lynching in America. In a series of six artistic residencies over the next six years, Black cultural workers in the Arkansas Delta will create performances around topics of self-determination, memory, and reflection as related to the mass lynching of 1919. Titled Black 'n da Blues, the residency gathered local blues musicians to collect stories and create performance around the question: where’s hope in the Blues?
On Friday, January 22nd, NET hosted a Community Forum: Beginning to Heal Through Connection. We heard from a group of our Spring 2020 NET/TEN Remote Connection Mini-Grants recipients about the activities they embarked on last year and then opened up the discussion to dialogue with one another.
Touchstone Theatre (Bethlehem, PA) and Pregones/Puerto Rican Traveling Theater (Bronx, NY) engaged in a yearlong intercultural and intergenerational exchange centering on strategies for art-centered community engagement. Working in English and Spanish, the project engaged a diverse group of Anglo, Latinx, and other participants in ensemble-based playmaking, leading to a headline performance in the October 4-13 Festival UnBound in Bethlehem, PA.
Storytellers, singers, and musicians from Guardians of the Flame Maroon Society (New Orleans, LA) and poet, playwright, and performer Deidre R. Gantt (Washington, DC) created a performance inspired by 2019 (the 400th year since African slavery began in America), New Orleans' indigenous and Mardi Gras Indian culture, and the experience of being American in different parts of the African diaspora.
Ninth Planet (Philadelphia, PA) consulted with cultural strategist and youth advocate Michael O’Bryan (Philadelphia, PA) to design a new model of community responsive programming. Using Homeworld, a performance experience for 3-to-18-month-old babies and their caregivers, they reimagined their work to extend beyond a singular artistic experience and create potential for long-lasting community building opportunities.
Eric Bass of Sandglass Theater (Putney, VT) and Linda Parris-Bailey (Knoxville, TN) shared and learned each other's approaches to writing, dramaturgy, puppetry, and song; they will examine how both artists stand in the moment of passing the legacy of their theaters into younger hands, while continuing to be creators of theater. The resulting project addresses both an exchange of creative practices and the act of leadership succession.
TAPIT/new works (Madison, WI) engaged in a series of theater and movement workshops with St. Mary’s Care Center (Madison, WI) and Verona School District’s 18-21 Year Old Transition Program (Madison, WI) in order to create a multimedia theater work titled Our Stories, Our Process. This process refined and expanded TAPIT/new works’ model for community-based artmaking with social services partnersSt. Mary’s Care Center. The work concluded with a performance featuring an inter-generational cast of participants, including skilled nursing facility residents and youth with disabilities.
Swim Pony Performing Arts (Philadelphia, PA) collaborated with Toasterlab (North Hollywood, CA), tech specialists in location-triggered performance, to develop Philadelphia Story Trails. Together the companies prototyped a unique mobile app that invokes the experience of immersive theater through a real-time drama delivered to audiences at specific points as they travel along the Philadelphia Circuit Trail system.
Albany Park Theater Project (Chicago, IL) partnered with Third Rail Projects (Brooklyn, NY) to continue the exchange of methodologies and collaborative creation process that previously resulted in the 2016 world premiere of Learning Curve. During Summer 2018, APTP and TRP will came together in Chicago for the first stage of devising a new, immersive, site-specific production that was created with and performed by APTP’s youth ensemble.
Raymond Bobgan, Executive Artistic Director of Cleveland Public Theatre (Cleveland, OH) visited Mondo Bizarro (New Orleans, LA) to foster a deeper and reciprocal relationship, gain knowledge about Mondo Bizarro’s artistic creation techniques, and lead a week-long workshop. Bobgan was joined by Faye Hargate, CPT’s Director of Community Ensembles and a member of the Cleveland Core Ensemble (a resident ensemble company at CPT).
Under the Table (Brooklyn, NY/Oakland, CA) traveled to the University of Idaho (Moscow, ID) to work with Professor Matt Foss on a new physical comedy inspired by heists, both real-life and fictional. Foss shared his expertise in creating simple yet innovative visual moments and worlds.
Julia Rhoads, Artistic Director of Lucky Plush Productions (Chicago, IL), traveled to Cuba for the second phase of a creative exchange with Danza Teatro Retazos(Havana) to deepen her practice-based research and approaches to the intersection of movement and dialogue. The research and foundational material developed informed the company’s next feature-length work, Rooming House.
For our NET Exchange Grant, Radical Evolution hosted ensemble members from El Teatro Campesino, our friends and creative partners, for a week long residency in New York City to continue working on a new performance piece inspired by the legend and history of Los San Patricios. This has been an exciting collaboration as we continue to create our production together. While we share similar artistic passions and interests, we operate in very different environments - El Teatro Campesino is located in rural Northern California in a small town called San Juan Bautista (approx. population 2,000) and Radical Evolution lives and works in New York City (approx. population 8,500,000). As you can imagine, the differences are clear. As a grassroots ensemble hosting another ensemble from out of town, we learned a lot about what to think through and how to be sure our guests had the best experience. We thought it would be valuable for other ensembles to know what worked best for us during this exchange.
2014-15 Exchange Grant Recipients
Dandelion Dancetheater's Bandelion Ensemble (Oakland, CA), Theater Grottesco(Santa Fe, NW) and Paufve|Dance (Berkeley, CA) continued their ongoing exploration to collaboratively create a new performance piece, Blessed Unrest, a lively, interdisciplinary performance that will go into bars and nightclubs.
Junebug Productions (New Orleans), 651 Arts (Brooklyn, NY) and the Contemporary Arts Center (New Orleans) developed and presented Soundtrack '63 in New Orleans. Soundtrack '63 is a live documentary focusing on the civil rights movement in 1963 featuring stories and artists from New Orleans.
Sara Zatz, Ryan Conarro, and Bruce Allardice of Ping Chong + Company were invited by La Casa Mandarina, an anti-violence NGO based in Mexico City, to offer theater trainings to a group of local participants, both theater artists and social workers, in order to lay the groundwork for a future Secret Survivors production in Mexico City. The production will use theater to explore the experiences of survivors of sexual violence in Mexico.
HartBeat Ensemble (Hartford, CT) traveled to Bangalore, India to meet with The Indian Ensemble. The ensembles explored a new way of working together on an intercultural project that investigates the cultural phenomenon of offshore outsourcing.
On Friday, January 22nd, NET hosted a Community Forum: Beginning to Heal Through Connection. We heard from a group of our Spring 2020 NET/TEN Remote Connection Mini-Grants recipients about the activities they embarked on last year and then opened up the discussion to dialogue with one another.
- Artistic Reflections
- Best Practices
- Board Announcements
- Continuation Grants
- Exchange Grants
- Field Learning
- Hosting Tips
- International Travel
- Long Distance / Online Collaboration
- Member News
- NET/TEN Program
- NETneXt
- National Circle Up Series
- Professional Development & Opportunities
- Sharebacks
- Tour Planning and Logistics
- Travel Grants
- Workshop Outlines
BLOG TOPICS